Thursday, 5 November 2015

The Football Attic's Hit Parade: We Can Do It

The more you delve deeply into the history of football teams and their commercially released music, the more you realise that few clubs have ever created an original song from scratch. Even Jimmy Hill's 'Sky Blue Song' was a rewritten version of The Eton Boating Song, and that from a man regarded by many as a pioneer of football. Is there nothing new under the sun?

Liverpool Football Club were only following a precedent when they released 'We Can Do It' in 1977, just as they were entering a truly golden era of success. The song was a reinterpretation of 'I Can Do It' by The Rubettes, which reached number 7 in the UK charts during March 1975. Liverpool's version, as you'd expect, reflected the collective team ethic of the Anfield club rather than dwelling on a childhood love for rock and roll music.

Opting for a slightly slower tempo and a lower pitch than the cap-wearing popsters before them, the likes of Clemence, Thompson, Neal et al warbled proudly of their history and footballing capabilities. And because, presumably, someone thought they matched the stereotypical profile of 'dumb football players', the lyrics were suitably simple enough for them to sing, too.


In short, the phrase "we can do it" crops up 45 times during the three minutes and ten seconds of this musical masterpiece. That's once every 4.2 seconds. Even Jimmy Case could have managed that, let alone Kevin 'Head Over Heels In Love' Keegan. It's fair to say this was never going to win a Brit Award, but then again a cover of 'Chanson d'Amour' by Manhattan Transfer was never going to be sung by The Kop's masses either.

This was very much Status Quo territory; a relentless guitar-strumming stomper, uncomplicated and easy to sing along to. It was also notably popular, peaking at number 15 in the charts in May 1977. Though the team didn't appear in person, the song did get heard over the closing credits of Top of the Pops at the end of that month, following an illustrious line-up that included Kenny Rogers, Bryan Ferry and The Stranglers. And Dave Lee Travis. Imagine that for a moment, if you will.

Two days before such an honour was bestowed upon them, Liverpool beat Borussia Mönchengladbach in the Stadio Olimpico in Rome to win the 1977 European Cup Final. It was to be Kevin Keegan's swansong in the famous red shirt, after which he moved to Hamburg. It was hardly coincidence that his departure as a future musical heavyweight in his own right heralded eleven barren years during which Liverpool FC enjoyed no chart success whatsoever. It wasn't until 'The Anfield Rap' came along in 1988 that the pride of (one half of) Merseyside was restored, and even then, the jury's still out where that particular point is concerned.

For now, though, we respect the ability of one club to take someone else's song, get it sung by a couple of dozen top football players and get it into the upper reaches of the Top 40. A magnificent achievement, and one that could only be matched in this case by John Barnes wearing a cap back to front. Staggering.

-- Chris Oakley

See also:

Friday, 30 October 2015

Videoblog 8: Chris O's Football Shirts

Here at The Football Attic, it's not just Rich J who's owned a considerable number of footy shirts in his time. Chris O's bought a few down the years as well, and to prove the point, here he is to tell you all about the shirts he's owned in our eighth (and last) Videoblog.

An avid West Ham supporter, many of Chris' shirts are naturally of the claret-and-blue variety, but you'll be mistaken for thinking that he's confined his choices to the Upton Park club only. Watch the video and find out which other shirts he's proudly worn (in the presence of a sporting great, in one example...)

Wednesday, 28 October 2015

Moving the goal posts

It's a great pleasure to welcome into the Attic our old friend Jay from DesignFootball.com who today gives us his take on goal frames, Italian style and Subbuteo (among other things)...

Like most things in my life, I look at goal frames in terms of pre- or post-Italia '90. As much as we can talk about BSB, BSkyB, Murdoch and "the inception of the Premier League" (the second best "inception" of all time... after "Inception") it was the 1990 World Cup in Italy that really moved the goalposts. Because this is an article about goalposts. So I used that metaphor.

Before Italia '90, goals looked to me like they looked in terrible footage of British domestic hooliganism. That is to say, either the goalposts shaped like enlarged P's, with the net draped down at the back of this protrusion, or with a 45° stanchion propping the net up. This was usually with the crowd separated from the pitch by advertising hoardings and/or fences, being mere inches from the byline. This look didn't work for me.

And so to Italy. I say this piece is about goal frames I have loved, but this is really the anti-goal frame goal frame. This is minimalism in goal frame form. In Italy the stadia - the like of which I didn't even realise existed - had a running track and acres of room behinds the goals! The fans were miles back, in some kind of Colosseum-aping divide between the entertainment and the paying public - which would surely call for sociological analysis if I had the time, inclination or requisite education to tackle it - and the nets... oh, the nets...

Roughly 500 yards back from the byline were two further posts - detached stanchions, should your imagination allow - and nylon cords ran from the upper corners of the nets, to these posts, securing the goal nets in a position of both statuesque poseurly confidence and louche malleability. The goal nets were the focal point of the pitch, given enough room to breathe and beckon the ball into their yawning chasms, but also sprung tightly enough to repel the strike should it evade a goalkeeper's reach.

And this is why I loved them so much. Because a ball shouldn't ever "nestle in the net". For one thing, "nestle" looks like "Nestlé", and we really don't have time to go into that, but mainly because when a great goal is scored, the ball shouldn't hit the net before its entirety has even crossed the line and retire to some dark corner in front of an oversized Draper Tools logo. Rather it should whip its way around the mesh, repeatedly bulging it like a foetus lashing out at its mother before rolling out, back into the active area and winking at the shattered and grounded goalkeeper that notices its reappearance in his peripheral vision.

Italia '90 did this, 501 Great Goals did not. Seriously, if you've ever watched that video you'll know it feels like at least 251 of them are penalties and the rest are tap-ins by Kerry Dixon. They all involved nestling. And the advertising hoardings are so close to the pitch that if Peter Shilton had staggered and fallen backwards over the goal-line as an Andy Brehme deflected free-kick looped over his head in a Barclays League Division One game in 1988 rather than in the Stadio delle Alpi in Turin, it would have seen him decapitated.

In 1990, I asked for "square goal nets" for Christmas, as the closest thing that Subbuteo did to the Italia '90 versions. As I was opening my gift, my grandfather (he's been dead for 17 years - THAT's football nostalgia) pointed out, in partial apologetic apprehension and, I suspect, with an undertone of pedantry, that he couldn't find any "square" goal nets, and these were the best he could do. They were exactly what I wanted, they were perfect and, post Italia '90, my views on football had changed. Bring on the inceptions...

Our grateful thanks to Jay, who not only manages Design Football brilliantly but also does a sterling job documenting the world around him at Marceltipool.com. Well worth checking out if you can!

Jay can also be found on Twitter so follow him and have your life enriched by talk of football and many other things besides...

See also:

Thursday, 22 October 2015

Ultimate BBC Goal of the Season

Image: BBC
For years it was the gold standard of football quality. Twenty-five yard screamers, fabulous team efforts, flying headers... they've all featured in the BBC's Goal of the Season competition over the last 45 years, and for a lucky few, the ultimate accolade has been theirs. Thanks to the votes sent in on the back of a postcard or sealed down envelope (latterly championed by a self-imposed panel of 'experts'), a succession of goals have been crowned the greatest seen on BBC Television every season, and they in turn have attained legendary status.

To score a BBC Goal of the Season requires talent, technique and skill. For several decades, however, you'd have needed a sizable portion of luck too. It was only comparatively recently that the BBC Match of the Day cameras started covering every match in England's top flight, but in the days before the Premier League, you were more likely to see the highlights of only a few games from the four divisions of the Football League every weekend. As a goalscorer of considerable ambition, the chances of scoring a goal capable of being remembered for generations was slim enough without the randomness of getting it captured for all posterity.

But lets now celebrate the goals that made it; the Goals of the Season, as shown on BBC television since 1970, and choose the greatest of them all. Listed below are all 45 winners of the BBC Goal of the Season competition, and we invite you to watch them all and savour their beautiful brilliance. Once you've done that, we'd like you vote for your favourite at the foot of this page. No need to write your three goals in order of preference on the back of a postcard - just type in the number of your top goal and technology will do the rest. The closing date for entries is 10 November 2015.

Goal 1
Ernie Hunt (for Coventry City against Everton, 3 October 1970)



Goal 2
Ronnie Radford (for Hereford United against Newcastle United, 5 February 1972)



Goal 3
Peter Osgood (for Chelsea against Arsenal, 17 March 1973



Goal 4
Alan Mullery (for Fulham against Leicester City, 26 January 1974)



Goal 5
Mickey Walsh (for Blackpool against Sunderland, 1 February 1975)



Goal 6
Gerry Francis (for Queens Park Rangers against Liverpool, 16 August 1975)



Goal 7
Terry McDermott (for Liverpool against Everton, 23 April 1977)



Goal 8
Archie Gemmill (for Nottingham Forest against Arsenal, 21 January 1978)



Goal 9
Ray Kennedy (for Liverpool against Derby County, 24 February 1979)



Goal 10
Justin Fashanu (for Norwich City against Liverpool, 9 February 1980)



Goal 11
Tony Morley (for Aston Villa against Everton, 7 February 1981)



Goal 12
Cyrille Regis (for West Bromwich Albion against Norwich City, 13 February 1982)



Goal 13
Kenny Dalglish (for Scotland against Belgium, 15 December 1982)



Goal 14
Danny Wallace (for Southampton against Liverpool, 16 March 1984)



Goal 15
Graeme Sharp (for Everton against Liverpool, 20 October 1984



Goal 16
Bryan Robson (for England against Israel, 26 February 1986



Goal 17
Keith Houchen (for Coventry City against Tottenham Hotspur, 16 May 1987)



Goal 18
John Aldridge (for Liverpool against Nottingham Forest, 9 April 1988)



Goal 19
John Aldridge (for Liverpool against Everton, 20 May 1989)



Goal 20
Ian Wright (for Crystal Palace against Manchester United, 12 May 1990)



Goal 21
Paul Gascoigne (for Tottenham Hotspur against Arsenal, 14 April 1991)



Goal 22
Mickey Thomas (for Wrexham against Arsenal, 4 January 1992)



Goal 23
Dalian Atkinson (for Aston Villa against Wimbledon, 3 October 1992)



Goal 24
Rod Wallace (for Leeds United against Tottenham Hotspur, 17 April 1994)



Goal 25
Matthew Le Tissier (for Southampton against Blackburn Rovers, 10 December 1994



Goal 26
Tony Yeboah (for Leeds United against Wimbledon, 23 September 1995)



Goal 27
Trevor Sinclair (for Queens Park Rangers against Barnsley, 25 January 1997)



Goal 28
Dennis Bergkamp (for Arsenal against Leicester City, 27 August 1997)



Goal 29
Ryan Giggs (for Manchester United against Arsenal, 14 April 1999)



Goal 30
Paolo di Canio (for West Ham United against Wimbledon, 26 march 2000)



Goal 31
Shaun Bartlett (for Charlton Athletic against Leicester City, 1 April 2001)



Goal 32
Dennis Bergkamp (for Arsenal against Newcastle United, 2 March 2002)



Goal 33
Thierry Henry (for Arsenal against Tottenham Hotspur, 16 November 2002)



Goal 34
Dietmar Hamann (for Liverpool against Portsmouth, 17 March 2004)



Goal 35
Wayne Rooney (for Manchester United against Middlesbrough, 29 January 2005)



Goal 36
Steven Gerrard (for Liverpool against West Ham United, 13 May 2006)



Goal 37
Wayne Rooney (for Manchester United against Bolton Wanderers, 17 March 2007)



Goal 38
Emmanuel Adebayor (for Arsenal against Tottenham Hotspur, 15 September 2007)



Goal 39
Glen Johnson (for Portsmouth against Hull City, 22 November 2008)



Goal 40
Maynor Figueroa (for Wigan Athletic against Stoke City, 12 December 2009)



Goal 41
Wayne Rooney (for Manchester United against Manchester City, 12 February 2011)



Goal 42
Papiss Cissé (for Newcastle United against Chelsea, 2 May 2012)



Goal 43
Robin Van Persie (for Manchester United against Aston Villa, 22 April 2013)



Goal 44
Jack Wilshere (for Arsenal against Norwich City, 19 October 2013)



Goal 45
Jack Wilshere (for Arsenal against West Bromwich Albion, 24 May 2015)



This poll is now closed.
Thank you for all your votes. The winner will be announced on The Football Attic website shortly.

Monday, 19 October 2015

Jonathan Roberts' 5 Best Players That Never Played At International Finals

We welcome another guest writer to The Football Attic as Jonathan Roberts reminds us of some of the great players that never qualified for a major competition...

"A World Cup without me is nothing to watch so it is not worthwhile to wait for the World Cup." Those were the words of the one and only Zlatan Ibrahimovic, following Sweden’s failure to qualify for the 2014 World Cup.

Rather arrogant, yes, and although one of football’s most charismatic and admired stars was denied a place at the tournament in Brazil, it isn’t inconceivable to think that he may not have made it anyway. Football can be a cruel sport and it often doesn’t matter who you are; if your name’s not down, you’re not coming in.

Football history is littered with tales of top players who have never played in international finals. Today, we’re going to look at who we think are the top five players never to have made it to international finals.

5. Ryan Giggs
Manchester United’s rock. More league and European titles than you can count on two hands. In fact, at the time of writing, Giggs is still the most decorated player in the history of the English game but never made it to an international tournament with Wales. If only he’d still been playing in 2015! The highlight of his international career was probably becoming captain for Team GB at the 2012 Olympics.

4. Ian Rush
‘It’s what Ian Rush drinks!’ Remember that advert? Yep, most of us do. Remember Ian Rush at the World Cup? Er... no. Another Welsh legend, despite multiple domestic and European titles, Rush never featured on the biggest stage of all. The current Welsh team have made it to the finals of Euro 2016, but are likely to face some difficult opening fixtures.

3. Alfredo Di Stefano
Diego Maradona once described Di Stefano as the best player to ever have graced a football pitch. Oddly, despite having played for Argentina, Spain and Colombia, a mix of bad luck and injury meant he never reached the ultimate football stage.

2. Eric Cantona
When he wasn’t launching himself into the stands to ‘confront’ angry fans, Cantona was simply a magician on the pitch. Unfortunately, it was that very temper which rendered him ineligible to compete for France at international tournaments. Twelve months after making his international debut in 1987, Cantona made a derogatory remark about the France manager, Henri Michel, and was subsequently banned indefinitely. A brief return in the early 90's saw him narrowly miss out on the 1994 World Cup following defeat at home to Bulgaria in the qualifiers. The infamous karate kick was the final nail in the coffin, preventing him from appearing at France ’98.

1. George Best
Perhaps the greatest international no-show tragedy of all was the inconceivable fact that Manchester United and Northern Ireland genius, George Best, never made it to the World Cup with his beloved home country, despite gaining 37 caps. Northern Ireland did qualify for the World Cup in 1982, but by then Best was 36 and a shadow of the player he used to be.

Saturday, 17 October 2015

Panini: Football Superstars (1984)

Back in February 2014, we reviewed Panini’s ‘Soccer Superstars’ collection from 1988. Consisting of an album into which picture cards (not stickers) could be inserted, this was a rare chance to see Panini veer away from the tried and tested sticky-backed formula of yore. It was not, however, the first time they’d attempted something so radical.

Four years earlier, the similarly-named ‘Football Superstars’ made an appearance and on this occasion, the medium of choice was not cardboard, but plastic. Clear plastic. It was an inspired selection and provided a somewhat futuristic slant on the stickers we’d been collecting for many years (not that these were self-adhesive).


As with Soccer Superstars, the pictures of players and national team emblems had to be slotted into diagonal cuts on each page of the accompanying album. The pages were loose and unstapled which meant, in theory, that you could pin each completed double-page spread on your bedroom wall. Five teams were featured - England, Scotland, France, Italy and West Germany - while the last two pages featured ‘All Stars’, a collection of top players from around the world.


Curiously, the double-page format isn't as jam-packed with pictures as in Panini’s regular ‘Football’ series that was available at the time. Instead, only a dozen cards are featured, and in the case of the five mentioned teams, that means one team badge and eleven players. There’s no text giving a potted summary of their careers, just a few paltry details relating to each individual below their card.


The plastic cards themselves, however, look great. Before they’re slotted into the album, they can be held up to the light like a film negative to gain a tantalising glimpse of a picture that isn’t immediately complete. Placed on a white space inside the album, though, they come to life with a distinct vibrancy you won’t find on a regular Panini football sticker.


The choice of teams is a curious one and reinforces the feeling that this was a one-off set-piece project by Panini. Dated by various internet sources as being from 1984, the album features Scotland’s Graeme Sharp who didn't make his international dĂ©but until 1985. Whether Football Superstars was actually published the following year is unclear, but either way the absence of other prominent countries like Spain and Belgium is a little unfortunate.


England’s line-up is a mish-mash of established players, those heading for the end of their international careers and those struggling to get theirs off the ground. The reassuring presence of Peter Shilton in goal is matched by Terry Butcher, Bryan Robson and Ray Wilkins outfield, but beyond them, there are some less familiar faces. Stoke City’s Mark Chamberlain (father of Alex Oxlade-Chamberlain) made only eight appearances for England, while Mike Duxbury of Manchester United only managed two more. Tottenham’s Graham Roberts only notched up six appearances.


All of the other teams boast an altogether more convincing array of current and future stars covering everyone from Lothar Matthaus and Karl-Heinz Rummenigge to Paolo Rossi, Michel Platini and Kenny Dalglish. Nearly all of them made an appearance at the 1982 or 1986 World Cups, and a fine bunch they make too. Added to the dozen ‘All Stars’, however, you have an even more rounded view of the top footballing talent of the mid-1980’s.


Here we find South Americans in the form of Passarella, Zico, Maradona and Falcao, plus the best from the rest of Europe. Finally there is a mention of Arconada and Gordillo of Spain and Enzo Scifo of Belgium (both countries capable of having their own double-page spread), plus Poland’s Zbigniew Boniek and Chalana, Portugal’s ace midfielder of Euro 84. Even Ian Rush gets a much-deserved inclusion, alongside another star of Euro 84, Soren Lerby.

It’s all very nice and all very different, but in many ways this collection seems a little tame by comparison to Panini’s regular self-adhesive equivalents. The innovation of making clear cards is excellent and the attempt to show such versatility is very admirable, but the content of the album lacks substance and direction. One could even bring into question the use of the term ‘Superstars’. Diego Maradona, absolutely, but with the greatest of respect, Mike Duxbury? Probably not…


There was, however, one additional reason to buy packets of Football Superstars cards, and that was the inclusion of a scratch card game. It consisted of a series of silver spots located all over a football pitch, and as either the red team or the yellow team, you had to scratch one off at a time to navigate your way from the centre circle to the opposing goal. Revealing a ball symbol enabled you to scratch off another silver spot, failure to do so gave your opponent another turn. Good harmless fun, and further proof that Panini could think outside the box when it came to creativity, but this was very much a sideshow to those clear cards that numbered only 72 in total. Personally I’d have rather had more cards to collect and not had the scratch cards, but there it is. This was, as mentioned before, Panini showing off their many and varied skills, and this album is an interesting part of their history accordingly.

-- Chris Oakley

Our huge thanks go to Graham Hannay of Retro Football Stickers for allowing us to use the images featured in this article. To find some of those missing stickers you need to complete your collections of yesteryear, check out Graham's website at www.classicfootballstickers.co.uk.

Thursday, 8 October 2015

Subbuteo: My who/what/where/when/why

I was very lucky to have enjoyed Subbuteo when it was surely at its peak. Over a period of five or six years, I built up a small collection of items and played dozens of games, and not once did I fail to be charmed by it. Subbuteo is responsible for some of the happiest times of my childhood. This is what I remember.

Who

It must have been my parents that bought me my first Subbuteo set, not to mention most of the items that made up my eventual collection. Towards the end of the 1970’s, well before I’d reached the age of nine, they got me a Subbuteo Club Edition starter kit. Though basic in its content, it had everything I needed to get started: a pitch, two goals, two teams, two balls and some corner flags (not strictly necessary). Thanks to my mother and father, June and Ron Oakley, Subbuteo quickly became one of my favourite pastimes.

Having attained all manner of teams and accessories over several years, I was then lucky enough to find a regular playing partner. Alan Young, one year my junior, lived only a three-minute walk away and was just as keen on flicking little plastic men as I was. Alan didn't have any Subbuteo equipment of his own, but that didn't matter as I was only too happy to transport all my important bits and pieces to his house every weekend in an old LP carrying case. Together, we’d organise FA Cup and World Cup tournaments, playing them alternately and endlessly on the floor of his bedroom. Happy days indeed.

One of our World Cup tournaments caused considerable embarrassment to me, thanks to my teacher of French, David McKelvey. During one lesson, I decided to relieve a pervading sense of boredom by reading a sheet of paper I’d brought with me to school. It contained all the results from a World Cup competition that Alan and I had played the previous weekend. Highly decorated by my own fair hand (using felt-tip pens and Letraset rub-down lettering), it’s hardly surprising that it caught the eye of Mr McKelvey. Walking around the classroom behind me, he sneaked up, saw me reading my score sheet and snatched it out of my hand. “Ah, what’s this?” he announced to the class. “Subbuteo World Cup 1984? Host nation, Scotland... Group A - Brazil 1, Italy 0... England 2, Sweden 2...” and so he went on, reading out result after result on my piece of paper. It would have been enormously convenient for the ground to open up and swallow me at that moment, but alas it didn’t. Oh the shame…

One final person worthy of mention is a distant aunt of mine whose name I don’t even know. I think she was from my Dad’s side of the family and lived with her family in Kent, miles away from our modest abode in north east London. From what I can recall, she only ever visited our house once and when she did, she arrived carrying three plastic carrier bags stuffed full with something. To my surprise, she handed them to me and said “There you go - these are for you. My son’s too old for these now, so I thought you might like them.” The bags contained a Subbuteo stadium stand awaiting assembly, lots of ‘heavyweight’ teams including Ireland and Scotland, two floodlights and all manner of other paraphernalia. It felt like I’d won the lottery jackpot.

Thank you, ‘mystery aunt’, whoever you were...

What

So what did I end up with in my Subbuteo collection by the time I called it a day at the age of 15? Well let’s start with the accessories. I had one standard pitch, a stadium scoreboard (brilliant), two floodlights (ornamental, but ultimately useless), a TV tower, a Trainers Bench Set (beautifully rendered in clear plastic), a FIFA World Cup trophy, the FA Cup trophy, three FIFA balls (lovely), three Tournament balls (unusable due to the self-adhesive coloured patches that made the ball roll in random directions), a First Aid Set, a Stadium Grandstand (essential for capturing any sense of realism), two Tournament Goals, several packets of number transfers, two Throw-In Figures (crap), two Corner Kick Figures (only slightly better), six Ball Boys (dig those yellow tracksuits, fellas) and a VIP Presentation Set (featuring five people, one of which looks like Her Majesty The Queen holding the FA Cup. Not ideal if you were playing a World Cup tournament, but there it is.)

As for the teams, well first I had ‘The Reds’ (#01) and ‘The Blues’ (#02) that came with my Club Edition set. They were both brilliantly versatile as you could pretend they were many different teams. The Reds could be Denmark, North Korea, Tunisia, Nottingham Forest, Bristol City, Austria (away)... the list goes in. Similarly, The Blues could be Everton, Japan, Leicester City, Birmingham City, Ipswich Town, Cardiff City, Italy… even Scotland and France, at a push. Enough to play an FA Cup and World Cup on their own.


Luckily, I could call upon more variety than that. I also had Liverpool (/Brechin City/Scunthorpe), Spain, Brazil, Manchester United, West Germany (or Ipswich away, Man United away, etc), East Germany (but more usually Tottenham), Crystal Palace (with the classic double diagonal sash), my beloved West Ham United (in late-70’s Admiral attire), Watford, England (which came in a fancy polystyrene-inset box) and West Bromwich Albion away (1983-84).

The latter of these teams I must single out for special mention as it was bought for me by my Dad. My West Brom team, resplendent in yellow shirts and blue shorts, was bought as a ‘get well’ present as I’d been suffering with tonsillitis for some time and my Dad thought it would cheer me up and lift my spirits. It did, and although I now smile at such a random choice of team, I don’t think he could have picked anything better. Horizontal pinstripes were very much the ‘in thing’ at the time, and this team, number 473 in the Subbuteo catalogue, was easily the most modern-looking of all those I owned. Not only that, but I could also use it as Sweden in my World Cup tournaments. Thanks Dad...

Where

As mentioned previously, Alan Young’s bedroom floor was where I had much of my fun as a 13-year-old (stop laughing at the back). Later in life, I discovered that most people played Subbuteo on a table of some sort when they were younger, but this never happened for me. My green cloth pitch was always smoothed out on the carpet wherever I played, and I’d be sat on my knees throughout an entire match, scrabbling around hither and yon to follow the action.

Many was the time I’d visit Alan’s house on a Sunday afternoon to play Subbuteo, especially during the dark Winter months. For the big games, like FA Cup Finals or World Cup Finals, we’d set up the stadium stand and the floodlights (that couldn’t illuminate an ant’s head) along with every accessory in my possession. For regular games, however, we’d make do with the trusty old scoreboard and maybe the TV Tower for a little bit of basic authenticity. As we played, we’d commentate in the way you do when you’re young, writing down the scores for each match along the way. When the opening bars to the Bullseye theme tune could be heard from downstairs, however, I knew it would soon be time to pack everything up and go home.

Apart from Alan’s house in Rowe Gardens, Barking, where most of my Subbuteo playing took place, there were only a couple of other places where flicking and kicking ensued. On a few occasions, I played in the spare room at Martin Lewis’ house. Martin was another good friend of mine and if my poor memory serves, we played Subbuteo on his snooker table, although I could be wrong. One thing I do recall is that he had the Tottenham team in their pale blue away kit. It doubled up as Club Brugge, which no doubt would have been handy for any UEFA Cup tournaments that went on.

Then there was another school friend of mine, Trevor Scannell. I had a brief spell hanging around with him circa 1983, and one time I recall visiting his house during the school summer holidays. I was delighted to discover that he, too, played Subbuteo but when he unveiled his Astropitch, rolled up in its cardboard tube, I felt an envy so strong, it almost bordered on physical violence. I wanted that Astropitch more than anything else for, ooh, the next 20 minutes, and would happily have stolen it if I knew I wouldn’t be the sole suspect for the crime.

When

I was very fortunate in that my early obsession with football coincided with the introduction of Subbuteo’s ‘lightweight’ teams. These were more modern-looking than the previous ones whose players wore baggy shirts and shorts and look like they were designed in the 1950’s (which they probably were). The early-80’s heralded the arrival of this new sleeker version of Subbuteo player along with a wide range of accessories to complete your immersive experience.

I can’t say for certain when I got that first Club Edition set, but my best estimate is 1979. I remember its vivid green box sat on top of the wardrobe in my bedroom, but at the age of only eight, I probably played it rarely. It was only when I attained more teams and a regular playing partner in Alan that the big green box was regularly brought down from its lofty position.

As for the end of my playing days, that would have probably been around 1986. By that point, Alan Young and I had gone our separate ways and my twelve years of school education were coming to an end. I would soon be leaving school to get my first job as a young adult, which meant other seemingly juvenile pastimes like Panini sticker collecting were looked upon as being ‘kids stuff’. But oh, what great pastimes. To have those days back again would be a pleasure beyond compare.

Why

Why should Subbuteo be such an addictive thing to get involved with? Put simply, it offered a make-believe world that couldn’t be penetrated by life’s dissatisfactions. Whether you were building your collection of teams and accessories or playing a game with your mate, Subbuteo was a football world created just for you and enjoyed specifically by you.

Quite why children have a necessity to pretend and envelop themselves in a false reality I don’t know. It makes more sense for adults to keep the real world at arms length, what with all the stresses that come along via marriage, children, families, mortgages, work and heaven knows what else. Maybe that’s why those silly ‘adult colouring books’ have finally made an appearance. By focusing on one seemingly trivial activity, the brain forgets all the bad stuff... and yet as kids, we don’t see certain things as trivial. We see them as valuable - valuable in that they make us smile and be happy. Nothing more, nothing less.

Subbuteo did that for me when I was young. Whether it be the hope of finding a new poster or catalogue at my local toy shop or the turning of a wheel behind the Stadium Scoreboard, Subbuteo was sheer and utter unadulterated bliss. This much I remember.

-- Chris Oakley

Wednesday, 7 October 2015

The Greatest Germany Home Kit 1965-2015: The Result

Over the last half a century, the national football team of West Germany, latterly just Germany, have worn 22 different home kits. Some have been simple in their design while others have been colourful and complicated.

Back at the start of September 2015, we presented all 22 kits of them in graphical form and invited you to vote for your favourite. With the voting period now over, we can now proudly announce the winner... and it was this:


It may not come as much of a surprise to some of you (not least in light of recent events), but you voted the Greatest Germany Home Kit of the last 50 years to be that worn between 1988 and 1991, made by Adidas.

We received a total of 165 votes, and a whopping 47.3% of those were for our winning kit, Kit J. Well behind in second place was Germany's 2014 World Cup kit (Kit V) which received 9.7% of the vote, while Kit B, worn regularly over a 13-year period between 1965 and 1978, came in third with 7.9% of the vote.

Four of the 22 kits, including those worn during Euro 2000 (Kit O) and Euro 2004 (Kit Q) didn't receive a single vote, but perhaps more surprising was the higher-than-predicted ranking for Kit L. The much derided ensemble from the 1994 World Cup actually came fifth, thereby proving that not everyone thinks it's a complete abomination.

Here's how the voting went in full:

Click for larger version
And, there it is - Germany's 1990 World Cup kit is the greatest of the last 50 years. A worthy winner... unless you think otherwise, in which case, please feel free to tell us which kit should have won!

Our sincere thanks to all of you that took the time to vote. We really appreciate it, and once again, our thanks also go out to Terry DuffelenRich Nelson and Rick Joshua for all their help in putting together this feature.

-- Chris Oakley

Saturday, 26 September 2015

Panini Continental: Football 81 (Belgium)

Ever remember that feeling you got as a kid at Christmastime; that feeling of envy towards your friends when you saw the presents they’d received? Oh, you were happy enough with your own gifts, sure... but you always felt that their Electronic Battleship game was slightly better than your Buckaroo. Well that’s how I felt when I recently won an eBay auction for a Panini ‘Football 81’ sticker album from Belgium. The English version was great... but my new acquisition had an extra undefinable something that made it ‘better’.

In all my years as a Panini devotee, I’d only ever collected the Italian company’s UK stickers. I knew nothing of their annual ‘Football’ albums from across the channel, but when I did stumble upon them during an eBay visit one day, I soon realised they would be an unattainable fantasy. The eventual selling price for these European Panini albums was always well beyond my budget, and I had to accept that some things in life were just never meant to be.

Luckily for me, my luck changed a few weeks ago when I snapped up the Belgian version of Panini’s Football 81 album for a very reasonable price indeed. What I saw inside was an alternative take on the sticker collections of the early Eighties as I knew them with some subtle (but no less significant) variations.

To begin with, there was the inside front cover. In Panini’s UK albums, this was where you’d usually find a grid in which to write the First Division results for the current season. In the Belgian version, there was a series of small, individual score charts for each gameweek. They both fulfilled the same function, yet somehow the latter version looked more appealing.

After an introductory page featuring a two-piece team picture of the Belgian national team and a review of Belgium’s excellent Euro 80 campaign, the 18 clubs of the Belgian First Division were dealt with in the traditional manner. The double-page layout looks familiar, and yet it’s slightly neater than what we were used to seeing in the UK with 14 players, the manager, the club badge and a two-piece team picture all arranged with pleasing formality.


Look closer, however, and you’ll notice that the player stickers are all in Landscape format rather than the UK-favoured Portrait. Strange as it may seem, this allows for a square space in which the player can be seen, as well as a decent-size club badge, the club name and a rectangular symbol showing the club’s colours on the right. Contained within an outline box along containing the usual profile details, the overall look is smart, even if some of the profile text appears randomly above the sticker rather than below it.


So what else was different about this Belgian book of brilliance? Well, frankly, it was the novelty of everything being so.. non-British. For a start, every shirt worn by every player in every team had an enormous sponsor logo. Then there were the team badges - so unfamiliar to one used to seeing the famous crests of Arsenal, Everton or Manchester United. And then there were the players, many of whom mean nothing to the average British fan, yet a scant few shine out like diamonds. Close examination reveals Dutch master Arie Haan in the line-up for Anderlecht, Cloughie’s 'clown,' Jan Tomaszewski, in goal for Beerschot and his Polish team-mate Gregorz Lato in the white shirt of Lokeren.


Looking for familiar faces indeed becomes something of a preoccupation here as you turn each page. A star of the Belgian national team surfaces occasionally (Jean-Marie Pfaff for Beveren, Erwin Vandenbergh for Lierse) amid a welter of talent from Yugoslavia, the Netherlands, Poland, Denmark and beyond, yet I was also surprised to find a few lesser-known Brits as well.


Plying their trade in the land of beer and waffles, we find James Gillespie of Gent, a one-time Queens Park player and Scottish ‘amateur international’. Down in the Second Division, there was Ron Ferguson, once a young striker at Sheffield Wednesday and Darlington but now playing in Brussels where, over six seasons, he averaged a goal every four games. And at KV Mechelen there was Stan Brookes, a defender who spent six years at Doncaster before spending another six in the Belgian second tier. Overlooked in Britain, their reward for moving to Belgium was seeing their face on a Panini sticker - something that wouldn't have happened had they stayed in Blighty.

As mentioned earlier, the strangeness of seeing unfamiliar team badges on foil stickers was undeniable, but some of them are worthy of particular mention for their sheer peculiarity. Dip into the Tweede Afdeling (that’s the Second Division, to you and me) and you’ll find La Louviere represented by a sheep’s head emerging from a fur coat. No, wait a minute... it’s a wolf, apparently. Or how about Sporting Hasselt, who appear to have adopted someone’s rough sketch of two hands holding a football? One wonders whether Millwall missed a trick by not following Olympic and their iconography, but the top prize for surrealism surely goes to RC Harelbeke. Their badge showing a stylised football player with a rat’s head and tail shows just how far behind the UK was when it came to LSD-influenced logo design.


The final eleven pages of the album dedicated to the Second Division are arguably the best of all. They’re comprised of two sections, the first dedicated to the badges and team pictures of all 16 teams, the second showing off the players in a half-and-half style that Scottish fans of Panini will be all too familiar with.



This is where we get our introduction to the brilliantly named Boom from Antwerp and Santa Claus’ favourite club, St-Niklaas. We also get to see Charleroi SC sporting what looks like Southampton’s Admiral shirts from the late Seventies, but with black stripes instead of red.

Add those to the welter of odd-sounding foreign player names, Pony kits and team managers that look like they could form a police identity parade for someone arrested on a charge of indecent exposure and you have, in many ways, a Panini album that surpasses anything available in the UK 34 years ago.


True, I was curious to know what football in another country looked like while I was growing up, and I hoped this latest purchase of mine would finally tell me. All I can say is that Panini have rewarded me for my curiosity, just as they always did, by making a wonderful sticker album that delivered in every possible way. With colour, attention to detail and great efficiency, they were undoubtedly the masters of the football sticker world.

- Chris Oakley

Friday, 18 September 2015

The Modern Badge Bandwagon

Everyone loves a football club badge. They can purvey any number of messages about a team in a million different ways, but while some look near perfect, others look considerably ill-conceived.

Over the years, every single team in the UK has succumbed to that irresistible urge to update their badge at  various times. Their constant replacement and abandonment of imagery has created the treasure trove of logos, crests and pictograms that continues to grow in size to this very day. A look back through the archives, however, shows that some clubs have fared better than others when it came to finding the right badge for them.

Of all the designs that have come and gone throughout British football history, the ones I have a soft spot for are those that looked modern when they were first created but within a few years looked hopelessly 'of their time'. These are the badges that ripped up the rule book, dispensed with the intricate detail of the once traditional coats of arms and shouted "I am modern!" from the rooftops... only to be laughed at and pelted with rotten fruit by those who saw it.

A few clubs, such as Nottingham Forest and Derby County, have managed to retain the essence of their 'new' badges to this day, but they are very much in the minority. For most teams that tried a more radical approach, the switch to a new design was altogether more temporary.

The movement towards simpler badges began in earnest at the start of the 1970's. Wolverhampton Wanderers (no strangers to the art of rebranding) were the first of many to take the plunge by showing off their new logo at the start of the 1970-71 season. Consisting of two W's with a wolf leaping overhead, this was and still remains a classic design. Sadly for anyone sharing the same opinion, it only lasted three-and-a-half-years, whereupon the letters were moved to the opposite side of the shirt and the jumping wolf acquired two friends.

In 1972, Crystal Palace followed suit with the creation of a circular badge bearing their nickname of the time, The Glaziers. The most striking element of this one, however, was the stylised 'CP' in the middle. It looked fantastic, if a little corporate, but it was perhaps slightly too simplistic for most people's tastes. Certainly Malcolm Allison thought so. When he arrived as manager of the Selhurst Park club at the start of the 1973-74 season, he rubber-stamped his own new badge and nickname to replace the previous one. And that was that - after a single season, Palace's 'CP' roundel was gone, consigned forever to the big logo scrapheap of football history.

While all this was going on, West Bromwich Albion made their own attempt to usher in a new badge, but theirs lasted little more than four years. Replacing the charming song thrush sitting on a twig that had been brought in for the 1969-70 season was a lower case 'A' in navy blue that looked vaguely like a centurion's helmet. Fortunately the throstle wasn't completely done away with as it reappeared in simplified form inside the 'a', but the overall effect was ever-so-slightly underpolished. With a bit more thought on the part of the designers, this could have been a great logo, but it was not to be.

Somehow, some way, the team that really defined boldness and modernity in club badges was Leeds United. Their 'smiley' vision in yellow and blue came to epitomise all that was simultaneously good and bad about new team logos from that era. Featuring only the club's initials in bulbous form, it simply said "this is us - straight-forward, uncompromising and divisive". Very much born of the 1970's, Leeds' badge actually made it into the next decade (albeit only for a few months) with the help of some additional circles and lettering around the outside. The original version, however, remains the purest and best example of all.

Further south, Luton Town tried their hand at funky logo design around the same time and launched their 'Lt' badge at the start of the 1974-75 season. Comprising of a stylised ball and (again) the club's initials (only one of which was capitalised, strangely), this was a rare example of a 70's badge truly standing the test of time. It was so popular that it wasn't replaced until 1987, at which point the Kennilworth Road club lurched to the historical end of the design spectrum with an old-fashioned coat of arms. Bor-ing!

York City were the next to step up to the plate, and their motif, introduced in 1974, was a brilliantly radical attempt to channel the spirit of mid-80's corporate branding ten years ahead of its time. Combining the Y and C from the club's initials in a loose marker-pen scribble, it was informal, fun, and just the sort of thing a national building society might have favoured to front a 1984 TV advertising campaign. As is often the case with this kind of thing, though, it proved to be a bit too modern and was hastily replaced with another design in 1978 which, ironically, looked even more like a national building society logo from a 1984 TV advertising campaign.

Come the late-70's, even more clubs were joining the 'modern badge' bandwagon, and several even managed to hold onto their new designs for nearly a decade. Notts County's gorgeous magpie logo, introduced on a regular basis in 1977, was a fine example of how not to create something that was likely to look dated within 10 minutes of its inception. It did so by not adding the name of the club, something that probably would have required the use of a font last seen on the closing credits of 'Whatever Happened To The Likely Lads'.

Bradford City's badge, a 1978 creation, was arguably a little more amateurish in its design, but it too had a certain charm that was based entirely around all five initials of the club's name. Were it not for a bit more finesse, it may well have lasted beyond the three seasons it appeared on the team's shirts.

One of my all-time favourite badges from the era is that of Blackpool. Introduced in 1979, it showed Blackpool Tower by the sea, wonderfully pared down and framed perfectly by a circle. For those people less familiar with the landmarks of Lancashire and its environs, it could easily have been an upward-pointing arrow to denote the intended direction of travel for The Tangerines. Either way, I reckon it would work just as well today, especially if the team name was displayed below it.

Even when the Eighties arrived, the trend for trendier badges continued. Some fifteen years after they last wore a crest on their shirts, Reading introduced a new edition in 1981 that evoked an image of pastoral bliss in deepest Berkshire. Featuring (we presume) the trees of Elm Park and the water of the River Thames encased in a curiously shaped black shield, this was a nice attempt at design, even if it did have an air of 'art college assignment' about it. Clearly someone somewhere didn't think much of it, though; it only appeared on the shirts for two seasons before the idea of a shirt badge was abandoned altogether by Reading for five more years.

Whenever I see Leicester City's badge from 1983, I immediately think of my Panini sticker collection of the time. It's sheer simplicity (featuring a whole fox and not just its head) was a breath of fresh air after the fussyness of its predecessor, and I remember welcoming it as such during those great days when football sticker collecting was my entire world. The badge managed to cling on for a good nine years before Leicester switched to the more detailed badge they have to this day, but I think the current one looks like it's trying too hard. Maybe it, too, is ripe for an update...

But if you're talking classic badges that burned brightly but all too quickly, there's undoubtedly an 80's equivalent to Leeds' classic smiley logo of the 70's. Step forward Newcastle United and their 'NUFC' badge from 1983 to 1988. Where Leeds did a grand job of cramming their two main initials into a circle, Newcastle went one better by adding the 'FC' as well.

There are two elements of genius to this badge: firstly, someone had the brilliant idea of rotating the 'C' through 90 degrees, and secondly, they then used it to create the gap at the bottom where a magpie could sit. By including the magpie, the club showed that it hadn't forgotten its identity and also added a pleasing counterpoint to the (let's face it) unavoidable lettering.

Yet as is often the way with all of these badges, it's stark modernity was only ever likely to polarise opinion. The outcome: it was swiftly thrown into the great waste disposal facility of football badge history, left to see out its days as a forgotten view of the future. And that's a shame, because what followed was a movement towards a kind of faux heritage that has seeped its way into many of the team badges we see today. Without bravery and open-mindedness, football clubs are left with the clinical, over-stylised identities we see today. Maybe you're happy with that, but personally I prefer those olden days when football clubs were prepared to do something a little bit different - if only just for a few short years.

-- Chris Oakley