Showing posts with label Euros. Show all posts
Showing posts with label Euros. Show all posts

Sunday, 1 July 2012

UEFA Euros - in captions

Switch on your TV to watch any football match these days and you won't fail to notice the continuous presence of the score in the top corner of your screen. A handy facility for those who can't remember the score or can't wait for the commentator to utter it again among a billion random statistics, but it's still a relatively recent addition to our televised football coverage.

Once upon a time, you'd have been hard pressed to see any information presented to you on-screen while a game was being broadcast, be it the score, a player's name or the time remaining during the match.

Where the European Championships are concerned, we can trace a line back to 1980 to see the first regular use of captions and from there to the present day we can plot a steady improvement all the way forward to today's animated masterpieces.

Pre-1980

Throughout the first five European Championships, the most you could have expected to see was a token 'R' in the corner of the screen to denote an action replay. In the very early days, it's likely you wouldn't even have seen that, but every long journey begins with a small step (as they say), so here's an example of a replay 'R' from 1976 courtesy of RTV Zagreb.

Euro 80

By 1980, Italian state broadcaster RAI felt the time had come to show us some primitive computer-generated captions. These usually displayed the names of key players on whom the camera lingered for more than a few seconds while the ball was out of play or perhaps the word 'Replay' as shown above. Very basic, but certainly very clear and on a par with the sort of captions occasionally seen during the 1978 World Cup.

Euro 84

The seventh iteration of the Euros were held in France but from what we can tell, TV coverage was divided up between several of the country's broadcasters. This assumption has been derived from the fact that all available footage shows captions of different styles as shown on the right.

That said, the captions seen most often (and consequently most synonymous with the tournament) are these ones featuring a tall yellow fixed-width font. These captions showed the time elapsed, current score and player names and numbers.

Euro 88

Before the next European Championships got underway in West Germany, a global audience had witnessed the colourful and captivating captions seen during the 1986 World Cup. National flags, 3D plinths upon which names were displayed and colourful kit diagrams had set a very high bar for the German broadcasters ARD and ZDF to beat two years later.

As it turned out, they did a comparable job repeating many of those eye-catching techniques. As in Mexico 86, we saw team line-ups before the match using a video window showing the players' faces, plus we had a nice bold font clearly displaying all the important information during the games complete with flags and symbols.

Euro 92

Swedish broadcaster SVT had the job of bringing us coverage of the ninth Euro competition, but compared to Euro 88, they provided a slightly toned down style of on-screen caption.

Shadow panels were the order of the day upon which were displayed team sheets, scorelines and player captions in a bulky, slightly quirky font. Where those team sheets were concerned, we were even treated to the sight of mascot 'Rabbit' in the top left corner of the screen along with severed hands holding yellow cards next to those players that had previously been booked. Even the broadcaster's logo got in on the act from time to time.

Euro 96

With England as the hosts of Euro 96 some of us (well, me certainly) were wondering whether the job of providing captions and graphics would be down to the BBC or ITV. In the end it was both as the two parties joined forces to broadcast coverage of the event around the world.

What we got as far as captions were concerned was nothing like what we were used to on either channel at the time. There was a plethora of blue round-cornered panels with a moulded effect showing clear, simple details and no animation whatsoever. Though easy to read with its occasional use of national flags or yellow/red card symbols, it lacked something in excitement value and didn't exactly set the world on fire where visual presentation was concerned.

Euro 2000

Come the new millennium, that was all to change as a new era in on-screen imagery came to the fore. Though the blue colour scheme was retained from 1996 (and indeed coverage of World Cup '98), we were now treated to a degree of imagination as an oval motif was used to show flags and elapsed time.

A simple, stylish font was used to complete the effect and the overall impression was one of slickness and smartness for the tournament in Belgium and the Netherlands.

Euro 2004

With the arrival of the 12th Euros, we also had a strong sense of branding that permeated every aspect of the television coverage from Portugal.

The 'throbbing heart' symbol was a regular sight on our screens during live games and could often be seen on the vivid captions showing player names. A scroll motif was also employed to great effect showing full-screen team listings and formations before every game and the scoreline at regular intervals too.

Small ball-like flags were a subtle approach to identifying the nationalities of teams whereas a simple sans-serif font completed a polished, original look throughout the competition.

Euro 2008

Such was the popularity of the blue panels in Euro 96 and Euro 2000, it shouldn't have come as a surprise to see them return for Euro 2008 in Austria and Switzerland, albeit with a splash of red here and there.

By now we were well into the widescreen/HD era of TV broadcasting and the captions for UEFA's 13th continental cavalcade made full use of the technology appearing in our homes. Team sheets were crisply displayed in a clear white font on blue backgrounds and the slanted oval flag symbols had revolving white dots of light to add visual interest.

Continuing on from Euro 2004, the red and green tournament logo also cropped up here and there to reinforce the ever-present UEFA branding.

Euro 2012

And so to the current tournament which has wonderfully applied a sumptuous purple colour scheme to everything it touches. Coupled with a beautifully illustrated flower design, the presentation of captions during Euro 2012 has been taken to a new level.

Team sheets unfurl before us (much as they did during Euro 2004) and here again those lists of player names also rearrange to show the suggested formations for both teams. Sadly in this HD age, those of us watching in SD have had difficulty reading the numbers on the back of the shirt symbols, but I guess you can't have everything...

Breaking completely away from all that's gone before, the flags of the competing nations have been displayed on flower leaves rather than ovals or circles. You can say what you like about UEFA, but there's little doubt they really picked a more than competent design agency based on their output for this tournament.

The future...

So with television graphics having developed to such a high level, what can we expect for Euro 2016?  Not only that, what can we expect if Michel Platini gets his way and allows Euro 2020 to be held in a wide range of countries?

The answer is up for debate, but all we know is that things have moved on dramatically from those primitive 'Replay R' days prior to 1980.

Wednesday, 23 November 2011

Panini: Europa 80

Europa 80 was the first Panini sticker collection I can remember owning. I still have it in my possession - in fact of all my old sticker albums it's probably my most prized possession. To my astonishment, I recently discovered I'd filled 241 of the 262 spaces in the album. 'Astonishment' in that I don't remember getting so many of the stickers, plus I was only eight years old at the time and shudder at the thought of how much money my parents must have given me for the stickers. Still, there it is: a gallant effort in trying to complete my first Panini album.

Panini's first 'Euro' sticker collection coincided with UEFA's first proper European Championship. By 'proper', I mean one in which there were two groups of four competing teams playing all their games in one country. Between 1960 and 1976, the finals of the competition consisted of two semi finals and a final hosted by one nation. Hardly the sort of premise around which to base an entire sticker collection.

The 1980 UEFA European Championships changed all that. Having fought off England to host the tournament, Italy were given the dubious honour of providing the setting for games involving the likes of West Germany, Spain, Czechoslovakia, the Netherlands, Belgium, Greece, England, plus the hosts, Italy.

This was to be England's first appearance in a major tournament since Gerd Muller hooked West Germany's third quarter-final goal past Peter Bonetti in the 1970 World Cup. Ron Greenwood's side headed off to Turin with a side full of emerging talent including Kevin Keegan, Ray Clemence and Trevor Brooking. That squad, along with those of the other competing nations, were immortalised by Panini in their inaugural Euro sticker album and a fine job they made of it too.

The Front Cover
Almost square in nature and distinctively black, it featured a big action photo of Italy's Franco Causio on the ball, closely watched by Dutch defender Piet Wildschut. The album title appeared in geometric cut-out letters above a band of flags representing the competing nations and the Europa 80 official emblem in the bottom corner.

Inside Front Cover
The inside Front Cover gave details of the qualifying round results and final standings, plus the classic Panini 'List and abbreviations of the nations'. Panini sticker collectors will be familiar with this as it cropped up in all their international football albums and provided a fascinating insight into European dialects. Even to this day, whenever I hear the quiz question "Which country is sometimes known by its Latin name of Helvetia?" I can instinctively and immediately answer "Switzerland" purely because of Panini's ever-helpful abbreviation list.

Of particular note is the appearance of several countries that weren't officially recognised at the time, such as Bohemia, Estonia, Croatia and Slovakia. Not sure if it was incredibly foresight of what was to come a decade later or recognition of what had gone before some forty or more years previous.

Features
The album got off to a rip-roaring start with a fabulous map of Europe on page 1 showing where all the competing nations were located. Made up of nine stickers in a 3 x 3 grid, the completed picture was a work of art in itself.

Pages 2 and 3 were devoted to a 'European Championship Roll of Honour.' This comprised of a potted history of all the Euro tournaments up to that point, each one represented by a star player sticker and another of the winning team. All the images were in black and white.

Page 4 featured five stickers, each one relating to an important aspect of the 1980 European Championships. They depicted in turn UEFA President Artemio Franchi, the official tournament emblem (a stylised football flower), the official mascot (a wooden Pinocchio toy holding a football and wearing a paper hat), the Henri Delaunay Cup and a map of Italy showing the match locations. Alongside these was the tournament programme - a place where you could fill in the results of each match as they took place.

Page 5 provided spaces for eight stickers, specifically a city and stadia picture for each of the four venues, and these were always a great way of building up an image in your mind of what the host country would actually be like to visit in real life. Among these, the beautiful coastal view of Naples and the historic splendour of Milan Cathedral particularly stood out.

Last but not least was a mammoth seven-page spread at the back of the album featuring 14 'Excluded Nations', or to put it more appropriately, 'nations that failed to qualify'. As a concept, this seems staggering by today's standards, but you have to remember that only eight teams qualified for Europa 80. In order not to exclude most of the continent from its potential sticker-collecting duties, Panini did the decent thing and allowed five sticker spaces for the likes of East Germany, Ireland, France, Helvetia (sorry, 'Switzerland'), Yugoslavia, Hungary, Northern Ireland, Austria, Poland, Portugal, Scotland, the Soviet Union, Sweden and Wales.

It wasn't the first time Panini had done this (as we'll prove in some of our upcoming articles) and if nothing else it made real the dreams of those football fans that never thought they'd see the day when the Welsh national team featured in a Panini sticker book.

The teams
The higher profile teams (West Germany, Netherlands, England and Italy) were set out on three pages of the Europa 80 album. On these were 20 spaces for players, one for a gold foil badge and two making up a double-sized team picture. The rest (Czechoslovakia, Greece, Belgium and Spain) had two pages featuring a badge, a two-part team picture and 14 players.

The sticker spaces were decorated with a pale green surround that contained hand-drawn images of players in goalkeeping, dribbling, passing and shooting poses. Sadly for me, my eight-year-old self coloured these in with felt-tip pens, but hey - how was I to know I'd be able to sell the album on the internet for a vast cost more than 30 years later?

As for the player stickers themselves, they featured the usual high-quality colour head shots framed in light blue with the player's name, Europa 80 logo and national flag of the player's team below. Among my favourites were those of the Netherlands' Johnny Metgod (still with a full head of hair before joining Nottingham Forest), Czechoslovakia's Zdenek Nehoda (a candidate for 1980's Movember campaign if ever there was one) and England's Peter Barnes (looking like he's having a drug-induced interlude, below-the-waist ecstasy or a hangover from hell).

The Back Cover
All black once again, save for a big picture of the Europa 80 mascot in the middle and the usual array of album prices as they were across Europe at the time (15p in Great Britain's case).