Showing posts with label 1995. Show all posts
Showing posts with label 1995. Show all posts

Saturday, 6 June 2015

Top Templates: Adidas 'diamonds' (1), 1994/95

It's usually in the run-up to the start of a new domestic season that you'll hear them - the people bemoaning their favourite team's new kit. For some lucky fans, their club will be big enough to command a unique design, one that a major manufacturer will be only too happy to create for a team of great prestige and heritage. For almost everyone else, however, it's likely to be a template kit that's sported in the campaign ahead.

Kit templates have gained something of a negative reputation, a physical sign that a club can only afford an off-the-shelf design rather than an exclusive outfit by Adidas, Puma, Nike et al. This is perhaps unfair. Though it could be argued that some manufacturers should make more effort to create a wide range of designs, it's also true that some templates are good enough to demand the respect of those wearing the kit, be they players or fans.

That's where this occasional series aims to redress the balance, showing the versatility of a decent kit template while exploring the various permutations of styling and colour.

We start with a template many of you will have seen but only worn by one team, perhaps.
Germany's 1994 World Cup campaign has largely been forgotten about by many, truncated, as it was, due to a 2-1 quarter final defeat to Bulgaria. What's more readily brought to mind is the kit they were wearing, and specifically their shirt. After years of understated smartness and simplicity, the white shirts of the German national team for USA '94 exploded onto the scene with a diamond-filled surfeit of gaudiness in black, red and yellow - the colours of the German flag. It was, to coin a phrase, 'different'.

Many football kit aficionados used an alternative word - 'horrific.' What was once a by-word for effortless style had now become a challenge for those unwilling to embrace a new era in football kit design. Open-minded invention was how the mid-90's were panning out, and Germany's new kit aimed to prove it in no uncertain terms.

Even the green away shirt, not seen during the 1994 World Cup, used the same motif - to even greater howls of derision. Subtle it was not, yet it didn't stop other teams queueing up for something similar.

Elsewhere in the recently-expanded Europe, Georgia and Latvia were quick to adopt their own take on the Adidas diamonds. (By the way, has anyone else wondered why Adidas created a design founded on so many geometric shapes similar to that used by their rivals, Umbro, in their logo? Just us, then...)

Georgia's home kit, like Germany's, featured a white home shirt, but this time only two colours featured in those diamonds across the shoulders - red and black.

The same red/white/black colour scheme was applied to Germany's home shorts which had a diagonal cut-away across one leg. A peculiar feature and one which, as we'll see, was dispensed with by other teams wearing the same design. Georgia's socks, however, were different and featured the three broad Adidas stripes seen on other Adidas kits around the same time.

The away kit nicely transposed the colours to make red the predominant colour for the shirts and socks with the same black shorts.

Latvia's outfit was almost the reverse of Georgia's, red being the home colour, while the Latvian team badge was positioned in such a way as to overlap some of those diamonds. A little clumsy and unfortunate in the way it obscured the main design, it could be said.

Several European clubs also found a way to adapt the Adidas diamonds to their own effect too. In Hungary, BVSC Dreher of Budapest continued the often-used white theme, but chose blue and black as complementary colours.

In Israel. three top-flight teams had this template for their kit, of which Hapoel Haifa's home edition was virtually the same as Georgia's equivalent, and Maccabi Herzliya's was all yellow with blue and yellow diamonds on the shirt. Though evidence of these two outfits is difficult to find online, a third club, Bnei Yehuda, crop up on one or two YouTube videos wearing a very striking orange and black version. Here, as on a few of these Adidas kits, the diamonds do not have a speckled effect, as seen on the original Germany home shirt above, which doesn't unduly detract from the overall look.


The classic white-red-black combo came to the fore again in the form of FC Aarau's home kit for the 1994 and 1995 period, but arguably the best version of all was worn by Italian club Bari.

Using only a red and white palette, the club from Puglia looked fantastic both home and away, due in no small part to the absence of the wacky diamond cut-away on the shorts. In Bari's case, they chose plain white ones for the home kit and red ones for the change strip. Throw in a small flappy collar on the shirt instead of the regular tri-colour v-neck and you have a very nice couple of kits indeed.

Finally, as in Israel, three teams in the top division were wearing the above template, and once again it's difficult to know for sure how two of them looked due to the paucity of evidence. What is known is that Kocaelispor's shirt was white with black and green diamonds, accompanied by black shorts, while Petrolofisi's kit was virtually identical to Bari's, except the red diamonds continued onto their white shorts.

Besiktas, on the other hand, were rather more visible in their kit which, at home, had a white shirt and black speckled diamonds. Notable, here, is another different collar, this time a wrap-over v-neck in white and black which harked back to the mid-80's in all its neatness and simplicity.

The change strip was all red, but the black and white diamonds were retained, even including the white speckling effect from the home kit. And there was even a bonus for fans of collars as the away shirt had thin red and black piping along the inner edge of the broad white 'V'. More intricate in detail than the other collars, it nevertheless showed the flexibility of the design to be customised for any team that wore it.

It wouldn't be surprising to hear of other teams wearing those crazy diamonds of Adidas, and indeed if you know of any, please feel free to leave us a comment below with details. If possible, we'll try and add a graphic so that everyone can see what the other variations of the template looked like.

Got any favourite templates you'd like us to feature in future Top Template posts? Drop us a line and let us know!

-- Chris Oakley

Sunday, 10 May 2015

The Football Attic's Hit Parade: We're Gonna Do It Again

It's a warm welcome back now to Dave Burin who continues our series on the great and not-so-great musical exploits of football teams down the years...
Who, or what, is Stryker?  He remains the Ali Dia of the mid-'90s rap scene, having somehow bumbled his way into the studio for Manchester United's 1995 FA Cup Final song, despite by all appearances, having no musical career before or afterwards. Much like the Stig, Stryker's identity is uncertain and possibly secretive. One Channel 4 documentary which focused on football songs claimed that he was an Arsenal fan from North London, though this has never been formally verified. And so, after 20 years of silence from this most enigmatic of one-time shouty football-themed novelty rap creators, We're Gonna Do It Again is the total sum of everything the world knows about Stryker. And maybe that's not such a bad thing.

If Stryker did indeed write the lyrics to this bizarre musical hotchpotch, it might be fair to infer that he's gone into hiding. Like the music world's Salman Rushdie, Stryker probably has a bounty on his head from several United fans with long memories, still outraged by their club's name being associated with lines like
"Because we're up there - cream of the crop
You gotta get up early to keep us from the top."
Despite the Reds' dismal display in the ensuing final (they were beaten 1-0 by Everton), what this United squad put their name to on record was undoubtedly more shameful than anything they produced on the Wembley turf.



So, besides the lyrics sounding like a public schoolboy's painfully polite attempt at trash talking, what does Stryker and Man United's cliché-ridden hit (it reached #6 in the UK Singles Chart) actually sound like? Well... there's an aggressive, tuneless drum machine which doesn't fit the melody, and has very likely been left switched on in the background entirely by accident. There's a wall of inoffensive though slightly off-putting guitar wailing in the background. At some point a keyboard seems to drift into the forefront briefly, before fading away - in what is an entirely apt metaphor for Brian McClair's on-field performances.

Around the 2:37 mark, our host clearly decides that things are getting a bit too authentic, that somehow it might be nice to alienate those hardcore Reds who, unaware of what awaits, are queuing up to buy this on cassette (or, for the really trendy individuals, CD). So, he tells us "we'll leave you with a message, Man U for the cup". It's an abbreviation used only as a derogatory term by opposition fans, and lazily by clueless pundits. However, I'd be here for rather too long if I tried to quibble over terminology with a man who spells the word 'Stryker' as if he's only ever heard the word when said aloud by Andrei Kanchelskis.

And yet, for all that, I kind of like it. It's unpolished, it's rather naff, it's full of lines which seem like they might have been scribbled on the back of a shopping list or scrawled down as Stryker woke up at 3am, his head buzzing with puns that don't quite rhyme.  In an era of overly-slick, characterless club songs, or annoyingly ironic efforts (I'm looking at you, I'm From Wigan Me!), there's something decidedly fun and unashamed and cheerful about Stryker's effort.  Now, enough faint praise...onto the B-side.


The best way I can describe the B-Side as is 'listenable'. It is, more importantly than that, incredibly lazy. In 1994, United had reached Wembley with the sounds of Come on You Reds, a catchy collaboration with Status Quo, ringing in their ears. It was the first football club single to reach #1 in the UK Singles Chart. In 1995, they chose as their B-side... Come On You Reds (1995 Squad). That's right. This vastly different version was recorded by the same club just a year later, meaning that at least two different players were involved in recording this completely necessary re-recording of the previous year's cup final song. No version exists online of the '95 track, though if you listen the '94 version and just imagine something exactly the same, you'll know what it sounds like.

Objectively, United may have done better to simply re-release the '94 cup song, and not rope (supposedly) Arsenal mad Stryker out of his (alleged) North London home to rap about "scoring our way to victory". Still, We're Gonna Do It Again is a relic of its time, and for better or worse, it sounds exactly like a mid-'90s attempt at coolness from a football club desperate to repeat its chart success. The tinned drums are dreadful. The vocals are dire. The lyrics are ridiculous. And yet, it's destined to bring a smile to my face every time I hear its refrain:
"Here we go,
Here we go,
Here we go."
I can indeed say that this largely-forgotten hit holds far happier memories than the cup final itself. Just don't expect me to be so kindly nostalgic the next time an anonymous rapper tries to rhyme 'victory' with 'tree'.

-- Dave Burin

Our grateful thanks, as ever, to Dave Burin for a fine guest post. Want to write about football nostalgia for The Football Attic? Get in touch - we'd love to hear from you!

Thursday, 28 March 2013

Videoblog 3: European Football Yearbook 95/96

Chris O plucks another item from his personal football memorabilia collection. This time it's the European Football Yearbook 95/96, a thick, chunky book full of stats, information and most importantly, football kit illustrations...


Thursday, 25 October 2012

Corinthian ProStars, 1995

The Football Attic today welcomes Simon Craft from Virile Games to the guest-writing roster as he takes us back to a time when footballers were frequently big-headed. Wait a minute - wasn't this supposed to be a blog site about football nostalgia?

I was born too late for Subbuteo. As a child of the Nineties, raised on an instant-thrill diet of American cartoons and Um Bongo, I was reluctant to undertake such chores as ironing the pitch and learning the rules, so my set was doomed to remain under the bed, unloved.

What my generation needed was something a little less dowdy, a little more attention-grabbing. Something individually sculpted with a name-engraved base. Something, in other words, a lot like Corinthians Headliners.

Instantly recognisable due to their oversized craniums, these figurines were first released in late 1995. With Euro 96 approaching and patriotism briefly in vogue, the initial range was comprised of sixteen England players. I set about building a team.

Though the figures were available in packs of four or twelve, these were priced too highly to interest a football-sceptic mother, and were in any case absent from the local newsagents. My only avenue for acquiring them, therefore, was in the form of the ‘secret sachets’, which contained a single figure wrapped in a foil bag so as to conceal his identity until after purchase.