Showing posts with label 1992. Show all posts
Showing posts with label 1992. Show all posts

Friday, 31 July 2015

Retro Rewind - 'So Near, So Far: The 1991/92 Manchester United Season Review' (VHS)

Once again, ladies and gents, you're in for a treat as we welcome back Dave Burin to give you a review of a VHS tape aimed mainly at nostalgic Man United fans...
"What a goal from Clayton Blackmore.  He loves it, and so do the crowd!"

All these years later, I still love the famously oversexed full back's rocket of a strike, at a hostile Elland Road  It's been a shade over 23 years since this VHS first hit the shelves, just after the end of a season where triumph and despair mingled together uneasily amidst the rubble of the old Stretford End, pulled down after a final day victory in a 3-1 dead rubber tie against Tottenham Hotspur.

Whilst Manchester United's Class of '92 embodied a freak of nature, a youth side compiled of numerous future Premier League stars, its story was almost timeless. The gaggle of Giggs, Beckham, Gary Neville and even Robbie Savage, would have made headlines in 1965 or 2015 for the abundance of natural talent on display. But the story of that season's first team and the backdrop to their matches feels more definite. It feels more 1992 than the Class of '92's story. It's become a common cliché, but there's relevance to the argument that this was the last year of old football - depending on who you ask, perhaps, 'proper football'.

With the hindsight of time, and the club's enormous success in the intervening 23 years, watching through the build-up to our most infamous title collapse feels more like an exercise in nostalgia than an act of self-masochism. The title cards for each game mix brightly coloured scrapbook animation with short glimpses of the action to come, like some ill-advised crossover between The Big Match and Saved by the Bell.

With the distance of time, what seemed standard then, now seems lovably quaint. Sheffield United were sponsored by Laver, a timber company, because financial corporations and loan companies were simply not manly enough for Sheffield. During United's away game at Oldham Athletic, Denis Irwin jubilantly celebrates a goal whilst a woman walks along the touchline pushing a trolley which seems to be conveying a large vat of soup. What a time to be alive!

Even the names of certain opposition goalscorers evoke a sense of cosy familiarity - some long forgotten, but instantly conjuring up memories of half time Bovril, obscenely short shorts, Shoot! magazine and any other clichés you'd like to add to that list. Frank McAvennie. Nigel Jemson. Mike Milligan. Even Ian Rush's 'tache feels vaguely historic, a remnant of a time when the giants of the English game cribbed their facial grooming tips from Ron Jeremy. This was also a time before the choreographed monotony of the synchronised celebration. Steve Bruce flaps his arms like an overly-excitable eagle, after each goal he scores. It's the way things should be.

On that note, I should probably talk a bit about the football - and more specifically, the brand of football United played. Despite the eventual disappointment of the league campaign, there were magic moments. Young Ryan Giggs nets a stunning solo goal in a 3-0 home triumph over Norwich City. The Reds produce a slightly reckless attacking masterclass at Boundary Park, beating Oldham 6-3.  A 5-0 trouncing of an admittedly dire Luton Town (see left). Bryan Robson's late, great winner at White Hart Lane. This was a side that embodied excitement and entertainment. Harry Redknapp would have called them "T'riffic".

But, for all their attractive football, neither Man United nor eventual champions Leeds needed to be that good all of the time. Whilst in the big money, high-pressure Premier League of 2015, serious mistakes are something of a rarity, on the boggy pitches of 1992's First Division, they were alarmingly frequent.

In this one review video alone, Sheffield Wednesday's defenders clatter into each other on the goal line after a terrible backwards pass, and Brian McClair sneaks in to score. A Luton Town defender falls over his feet, leading to a United goal. Spurs stopper Ian Walker kicks the ball about four yards to limply set up a United goal. Peter Schmeichel concedes a few goals by just standing around the box looking slightly bored, as if waiting for a delayed bus to arrive.

It's all interspersed with interviews, of course. These were the dark days before a gurning Jim White held Sky Sports News hostage interviewing surprised players through car windows, and before United's centre backs could post every ridiculous thought they had on Twitter (love you really, Rio!). Bryan Robson is interviewed in what appears to be his living room. A reflective Alex Ferguson talks with a surprisingly resigned sadness about the season past. "We're not looking for excuses" he says, with a shrug of the shoulders.

The last jubilant moments take place at Bramall Lane and Wembley. The away victory against The Blades is a moment of pure, joyous early '90s emotion. The screen is awash in slightly fuzzy figures leaping over the terracing barriers, a unified mass of oversized padded jackets, technicolour shellsuits and uniform bowl cuts.  No hipster combovers here.

The footage in the build-up to the Rumbelows Cup Final is perhaps the most interesting feature of all. It's a document of how much everything has changed. Club officials eating a fried breakfast on the train with eager young lads in face paint and carrying homemade flags and banners. Workers at Manchester's Victoria station wearing red rosettes reading 'Good Luck United!'  It feels like another world to the football where Manchester City spend £49 million on an unspectacular player and parade him in front of a stage-managed set of 'fans'.

United win the Final 1-0 against Nottingham Forest. The trophy is presented by the 'Rumbelows Employee of the Year' - because apparently selling lots of computer keyboards translates into getting to give Steve Bruce a trophy. Anyway, it's a nice touch. Paul Ince is wearing a bucket hat. Peter Schmeichel is wearing a fez and throwing the kit man into a full bath in the dressing room. By this point I'm trying not to think too hard about the football - because I know what's coming next.

Even now, the last 10 minutes of this VHS review feel akin to the culmination of a shlocky but especially grisly horror movie. The fun part is over. Something horrific is about to happen, and though part of you wants to avoid it, you continue watching - compelled - knowing that the smiling faces will turn to masks of despair. United lose twice to Nottingham Forest. They lose at West Ham. Some pretentious git named Cantona keeps scoring for Leeds, and they go on to lift the title. It's all rather grim.

Alex Ferguson flashes back onto the screen, immaculate in jacket and tie. "The demands... of everyone means you have to win titles," he says meaningfully. Over the following two decades, those demands would be met and surpassed with incredible regularity. Even in 1993, though, winning the Premier League would feel somehow different to winning the First Division. Not better or worse, simply other.

The moustaches would be trimmed. The acid blue away kit would be retired, and left to the nostalgists and curios. The pitches would improve. Even the season review soundtrack, here a pleasant enough background noise which probably appeared on old PC screensavers, would get an upgrade. The times, they were a changin'.

Even if you're not a Man United fan, we're sure you'll agree that Dave's reminder of how things were back in the early-'90s was very evocative and a really great read. Thanks Dave!

If you want to catch more of Dave's guest posts at the Attic, you'll find the links below, or if you want to follow him on Twitter, be sure to find Dave at @GoldenVision90.

More from Dave Burin:

Sunday, 26 April 2015

Collectables in 1991-92

If you've recently read Greg Lansdowne's excellent book 'Stuck On You: The Rise & Fall… & Rise Of Panini Stickers', you'll know how much detail he managed to cram into 256 pages about the wonderful world of sticker collecting.

Now, especially for Football Attic followers, Greg takes a closer look at a pivotal time in the UK's sticker and card collecting market - the 1991-92 season...

Collectables will eat themselves

It was the best of times, it was the worst of times...

On reflection it was just the worst.

If you were a fan of football collectables, the Eighties splits opinion. Reading Rob Jovanovic’s book on the subject, ‘Swap Yer’ one would think it was a period in the doldrums.

Perhaps it is just that Rob is a ‘cards’ rather than ‘stickers’ kind of guy, but calling that decade a “barren time” and “dark days” for collectors are assertions that, in part, led me to write a book espousing the virtues of Panini, and stickers of that decade in general.

What followed in the early Nineties is a bit less equivocal.

It was a mess.

For those who had longed for the return of the football card there was a beacon of hope in the shape of Pro Set, yet its bright opening was quickly extinguished – partly by its own hand.

For sticker fans – or, specifically Panini sticker fans - it was the end of an era, encapsulated by the ‘Football 92’ (sic) album.

In fact the 1991-92 collectables season marked such a low point that it merits an unexpurgated retrospective.

It could be argued that having the opportunity to deal in four separate issues (six if you were able to get hold of two dedicated-Scottish versions on top) would be manna from heaven for those of a collecting disposition.

In reality, what was on offer was a dog’s dinner of a Panini sticker album plus three – three! - card collections.  

During the previous season, Panini had at least attempted to innovate (albeit badly) in an effort to counter the competition (new entrant Pro Set and the Sun’s ‘Soccer Sticker Collection’).
‘Football 1991’ begat not one but two different packets of stickers.

The red set, called the 'Foil Collection', was for club shinies, managers and Italia 90 World Cup action, coming out early in the season to lengthen the album’s presence. The 'Players Collection', in yellow, were the tried and tested individual head and shoulder pictures and team photo stickers, arriving in the familiar January Panini window.

Panini’s experiment was a failure – Pro Set was the collectable du jour for 1990-91 – but at least they tried.
By 1991-92 the album was remodelled to ‘English Football 1992’. It would be hard to find an album less Panini-like in composition.

Here is the crime sheet:

  • No Scottish stickers
  • Standardised head and shoulder shots had been replaced by action photos
  • Lower division football reduced to ‘Twelve of the Best from the Second Division’
  • No player biographies 
  • No foils/shinies!
Of course, there were mitigating circumstances.

Panini UK (along with other regions) had seen their budget severely cut – and, indeed, their resources dipped into in an attempt to manage leaks in other areas of owner Robert Maxwell’s empire -  and that was reflected in the resultant ‘English Football 1992’.

It was during this season that Panini lost the most controversial leader in their history – drowned at sea. Recovery in the UK – certainly in football terms – would take a number of years as Merlin became the prime mover. But that is another story.

If English collectors felt short-changed by Panini’s offering, at least those north of the border could feel like a wrong of the previous decade had been partially avenged. For many years, Scottish players were reduced to two players per sticker in Panini albums – a slight felt strongly by many.

Now, however, in ‘Panini Scottish Football 1992’, the Scottish Premier Division clubs were afforded a distinction not provided to their English counterparts that season.

They each had a shiny club badge.

With only 12 teams in the Scottish Premier Division, the album was padded out to the lofty heights of 180 stickers (compared to a still-paltry 276 for the English edition) with a section on Scottish players in England.

If Panini really were keen on cutting costs that year, why not produce the same stickers for players such as Chelsea’s Steve Clarke, who featured in both albums. Especially when the shot chosen for ‘English Football 1992’ is more of a crowd scene than a tribute to the now Reading boss.


But for all Panini’s sticker efforts, 1991-92 will go down in football collecting history as the year of the card.

American company Pro Set had capitalised on the over-egging of sticker albums over previous years with an innovative (for this generation of collectors) card set. Having made a successful entry into the lucrative US trading card market in the late Eighties, owner Ludwell Denny’s expansion plans showed early promise as it shifted around 20 million packets of the ‘Pro Set 1990-91 Collector Cards’ series.

With the help of football agent John Smith, Pro Set became the official card of the Football Association as it made a surprising, and successful, move into the UK.

That success was short-lived down to two factors.

Firstly, two rival card sets – Panini’s ‘Official Players Collection’ and ‘Shooting Stars’ – muddied the waters the following season.

Secondly, if the competition didn’t get them, Pro Set did a good job in bewildering collectors by issuing their 1991-92 edition in three different packets (Official Fixture Cards, followed by Player Cards in two parts). Like Panini’s sticker collection, they also chose to issue separately in Scotland.


Confusion reigned.

Each company pinned their colours to the masts of various football publications as they attempted to shout loudest amongst the cacophony of competing voices: Pro Set collaborated with Shoot! and The Sun, Shooting Stars with the newcomer 90 Minutes, while Panini worked with Match Weekly, Roy of the Rovers and the Daily Record in Scotland.

Similarly-proportioned cards had been hugely popular throughout the Sixties and Seventies as A&BC (subsequently taken over by Topps in the mid-Seventies) produced a series of memorable releases.

But whereas those sets were almost exclusively head and shoulder pictures, the latest collections (particularly Panini and Shooting Stars) were a hotch-potch of portrait and landscape action shots where the player represented would often be vying for attention with one or more opponents and/or or team-mates.

With Pro Set already seemingly an established brand – despite just one previous season – the new kid on the block was Shooting Stars. American-based billionairess Patricia Kluge set up Super League Publishing after her son had shown an interest in British football collectables. While Pro Set gave away 10 cards per pack, Shooting Stars went for 15 – a fair chunk of a 400-set.

With no experience in the industry, Kluge called upon the services of Merlin Publishing to distribute and market the collection. Founded by four former Panini employees/distributors, Merlin had already dipped its toe into the murky football waters, but ‘Team 90’ and their Italia 90 sticker albums had limited success. As a result they had decided to give football a wide berth while the volatile market settled down. To that end they were happy to assist Kluge without putting their name to the product.

As they had advised her, Shooting Stars proved to be a flop – as did every sticker and card collection that year - but it all ended happily ever after.


Kluge ended up taking a sizeable stake in Merlin, as well as introducing them to then Arsenal Vice-Chairman David Dein - who just so happened to be looking for a company to produce a sticker album for the recently-founded Premier League, with which he was also involved.

The rest is history.

While the 1991-92 collectables season had no winners, it did ‘turn out nice again’ for Kluge and her Merlin collaborators as well as, in the long-run, Panini. Even Pro Set had already ensured its place in collectables history for bringing about the revival of football cards in the UK… a legacy that lives on through Match Attax.  

Nick Berry had summed it up perfectly just a few years earlier… Every Loser Wins.

-- Greg Lansdowne

Our grateful thanks go to Greg Lansdowne for his excellent guest post, and a reminder to everyone that his fabulous book, ‘Stuck On You: The Rise & Fall… & Rise Of Panini Stickers’, is on sale now via Amazon UK and all good book shops.

Saturday, 14 April 2012

Super Top Trumps: European Club Football

Good ideas never die, it seems - they just wait for nostalgia to catch up with them. That would appear to be the case with Top Trumps, the vintage card game that was once a staple for children in school playgrounds everywhere during the late-1970’s. By the time the 1990’s had arrived, Top Trumps was largely a forgotten phenomenon, but Waddingtons relaunched it with a new range of ‘Super Top Trumps’ aimed at distracting kids from their Nintendo Gameboys and Sega Game Gears.

It was 1992 and Waddingtons, the Leeds-based manufacturer of board games such as Monopoly, Cluedo and Sorry! released a second set of card decks to appeal to an even wider range of children. Presuming ‘Racing Trucks’ and ‘Dinosaurs’ weren’t to your liking, ‘European Club Football’ probably stood a fair chance of being an imminent purchase, but unlike previous decks of football Top Trumps, this one featured teams as their subject rather than players.

And what could possibly be wrong with that, you might ask? At first glance, nothing – in fact there were now eight categories on each card to choose from rather than the five previously as seen back in the late-70's. As we discussed previously, the old 'player' sets had categories such as 'League Appearances' and 'International Goals' as the criteria by which you'd win a hand in each game. Here, the categories were mostly club competitions. These included 'League Champions', 'Domestic Cups (FA)', European Champions' and so on, but here's where it became a victim of its own ingenuity.

Some categories, such as 'League Champions' had a wide range of values from Rangers' 42 down to Chelsea's 1. This made winning a hand nice and clear cut, but had you plumped for 'European Super Cup' or 'UEFA Cup', the team on your card would have a number no higher than 2 or 3. This would have meant a lot of tied rounds which certainly allowed the kitty to build up nicely, but only until the inevitable switch back to 'League Champions' again or the novelty category of 'Year of Formation'.

Anyway, perhaps this was only a side issue for the real joy of this Top Trumps set was seeing which teams were included as part of the game. Naturally enough, English teams were the best represented in the 30-card pack - 11 to be precise - and of those, some were rather dubious selections. Newcastle United were still in the second tier back in 1992 and had only won a single European trophy (the 1969 Inter-Cities Fairs Cup), but there they were, proudly represented by the still slim image of Micky Quinn.

Panathinaikos and Marseille seem to have been included purely on account of their domestic success having not won any European trophies between them while Borussia Mönchengladbach were relying solely on their two UEFA Cup wins, the last of which had happened in 1979.

Still, for every Panathinaikos there was a Real Madrid or a Juventus, and it was great to see their pictures on each of the cards. Mind you, some of the pictures were a little... well... odd. Some were the wrong shape and didn't fill the space provided (Bayern Munich, Feyenoord, AC Milan, etc) while one or two had quirky compositions (Man City's photo taken 50 feet away from the action, Tottenham's featuring three players of which two had their backs turned to camera).

All very nice, but two question remain unanswered: why 'Super' Top Trumps and why the index numbers in the top-left corner of each card? Simple: there was a second way to play the game. In essence, all the cards were dealt out to all players and everyone had to complete all their sets (i.e. they had to collect 1A, 1B, 1C, 1D and 1E, and so on). Each player would ask another player "Have you got 3C?" and if they did, they'd collect the card and get another turn. If not, they didn't. The first one to complete all their sets was the winner.

So there it is - Waddington's attempt to breathe new life into an old classic. It wasn't perfect, but it had plenty of interest for football-loving kids everywhere... until they wanted to play on their Gameboy again, at least.