Showing posts with label 1991. Show all posts
Showing posts with label 1991. Show all posts

Friday, 31 July 2015

Retro Rewind - 'So Near, So Far: The 1991/92 Manchester United Season Review' (VHS)

Once again, ladies and gents, you're in for a treat as we welcome back Dave Burin to give you a review of a VHS tape aimed mainly at nostalgic Man United fans...
"What a goal from Clayton Blackmore.  He loves it, and so do the crowd!"

All these years later, I still love the famously oversexed full back's rocket of a strike, at a hostile Elland Road  It's been a shade over 23 years since this VHS first hit the shelves, just after the end of a season where triumph and despair mingled together uneasily amidst the rubble of the old Stretford End, pulled down after a final day victory in a 3-1 dead rubber tie against Tottenham Hotspur.

Whilst Manchester United's Class of '92 embodied a freak of nature, a youth side compiled of numerous future Premier League stars, its story was almost timeless. The gaggle of Giggs, Beckham, Gary Neville and even Robbie Savage, would have made headlines in 1965 or 2015 for the abundance of natural talent on display. But the story of that season's first team and the backdrop to their matches feels more definite. It feels more 1992 than the Class of '92's story. It's become a common cliché, but there's relevance to the argument that this was the last year of old football - depending on who you ask, perhaps, 'proper football'.

With the hindsight of time, and the club's enormous success in the intervening 23 years, watching through the build-up to our most infamous title collapse feels more like an exercise in nostalgia than an act of self-masochism. The title cards for each game mix brightly coloured scrapbook animation with short glimpses of the action to come, like some ill-advised crossover between The Big Match and Saved by the Bell.

With the distance of time, what seemed standard then, now seems lovably quaint. Sheffield United were sponsored by Laver, a timber company, because financial corporations and loan companies were simply not manly enough for Sheffield. During United's away game at Oldham Athletic, Denis Irwin jubilantly celebrates a goal whilst a woman walks along the touchline pushing a trolley which seems to be conveying a large vat of soup. What a time to be alive!

Even the names of certain opposition goalscorers evoke a sense of cosy familiarity - some long forgotten, but instantly conjuring up memories of half time Bovril, obscenely short shorts, Shoot! magazine and any other clichés you'd like to add to that list. Frank McAvennie. Nigel Jemson. Mike Milligan. Even Ian Rush's 'tache feels vaguely historic, a remnant of a time when the giants of the English game cribbed their facial grooming tips from Ron Jeremy. This was also a time before the choreographed monotony of the synchronised celebration. Steve Bruce flaps his arms like an overly-excitable eagle, after each goal he scores. It's the way things should be.

On that note, I should probably talk a bit about the football - and more specifically, the brand of football United played. Despite the eventual disappointment of the league campaign, there were magic moments. Young Ryan Giggs nets a stunning solo goal in a 3-0 home triumph over Norwich City. The Reds produce a slightly reckless attacking masterclass at Boundary Park, beating Oldham 6-3.  A 5-0 trouncing of an admittedly dire Luton Town (see left). Bryan Robson's late, great winner at White Hart Lane. This was a side that embodied excitement and entertainment. Harry Redknapp would have called them "T'riffic".

But, for all their attractive football, neither Man United nor eventual champions Leeds needed to be that good all of the time. Whilst in the big money, high-pressure Premier League of 2015, serious mistakes are something of a rarity, on the boggy pitches of 1992's First Division, they were alarmingly frequent.

In this one review video alone, Sheffield Wednesday's defenders clatter into each other on the goal line after a terrible backwards pass, and Brian McClair sneaks in to score. A Luton Town defender falls over his feet, leading to a United goal. Spurs stopper Ian Walker kicks the ball about four yards to limply set up a United goal. Peter Schmeichel concedes a few goals by just standing around the box looking slightly bored, as if waiting for a delayed bus to arrive.

It's all interspersed with interviews, of course. These were the dark days before a gurning Jim White held Sky Sports News hostage interviewing surprised players through car windows, and before United's centre backs could post every ridiculous thought they had on Twitter (love you really, Rio!). Bryan Robson is interviewed in what appears to be his living room. A reflective Alex Ferguson talks with a surprisingly resigned sadness about the season past. "We're not looking for excuses" he says, with a shrug of the shoulders.

The last jubilant moments take place at Bramall Lane and Wembley. The away victory against The Blades is a moment of pure, joyous early '90s emotion. The screen is awash in slightly fuzzy figures leaping over the terracing barriers, a unified mass of oversized padded jackets, technicolour shellsuits and uniform bowl cuts.  No hipster combovers here.

The footage in the build-up to the Rumbelows Cup Final is perhaps the most interesting feature of all. It's a document of how much everything has changed. Club officials eating a fried breakfast on the train with eager young lads in face paint and carrying homemade flags and banners. Workers at Manchester's Victoria station wearing red rosettes reading 'Good Luck United!'  It feels like another world to the football where Manchester City spend £49 million on an unspectacular player and parade him in front of a stage-managed set of 'fans'.

United win the Final 1-0 against Nottingham Forest. The trophy is presented by the 'Rumbelows Employee of the Year' - because apparently selling lots of computer keyboards translates into getting to give Steve Bruce a trophy. Anyway, it's a nice touch. Paul Ince is wearing a bucket hat. Peter Schmeichel is wearing a fez and throwing the kit man into a full bath in the dressing room. By this point I'm trying not to think too hard about the football - because I know what's coming next.

Even now, the last 10 minutes of this VHS review feel akin to the culmination of a shlocky but especially grisly horror movie. The fun part is over. Something horrific is about to happen, and though part of you wants to avoid it, you continue watching - compelled - knowing that the smiling faces will turn to masks of despair. United lose twice to Nottingham Forest. They lose at West Ham. Some pretentious git named Cantona keeps scoring for Leeds, and they go on to lift the title. It's all rather grim.

Alex Ferguson flashes back onto the screen, immaculate in jacket and tie. "The demands... of everyone means you have to win titles," he says meaningfully. Over the following two decades, those demands would be met and surpassed with incredible regularity. Even in 1993, though, winning the Premier League would feel somehow different to winning the First Division. Not better or worse, simply other.

The moustaches would be trimmed. The acid blue away kit would be retired, and left to the nostalgists and curios. The pitches would improve. Even the season review soundtrack, here a pleasant enough background noise which probably appeared on old PC screensavers, would get an upgrade. The times, they were a changin'.

Even if you're not a Man United fan, we're sure you'll agree that Dave's reminder of how things were back in the early-'90s was very evocative and a really great read. Thanks Dave!

If you want to catch more of Dave's guest posts at the Attic, you'll find the links below, or if you want to follow him on Twitter, be sure to find Dave at @GoldenVision90.

More from Dave Burin:

Sunday, 26 April 2015

Collectables in 1991-92

If you've recently read Greg Lansdowne's excellent book 'Stuck On You: The Rise & Fall… & Rise Of Panini Stickers', you'll know how much detail he managed to cram into 256 pages about the wonderful world of sticker collecting.

Now, especially for Football Attic followers, Greg takes a closer look at a pivotal time in the UK's sticker and card collecting market - the 1991-92 season...

Collectables will eat themselves

It was the best of times, it was the worst of times...

On reflection it was just the worst.

If you were a fan of football collectables, the Eighties splits opinion. Reading Rob Jovanovic’s book on the subject, ‘Swap Yer’ one would think it was a period in the doldrums.

Perhaps it is just that Rob is a ‘cards’ rather than ‘stickers’ kind of guy, but calling that decade a “barren time” and “dark days” for collectors are assertions that, in part, led me to write a book espousing the virtues of Panini, and stickers of that decade in general.

What followed in the early Nineties is a bit less equivocal.

It was a mess.

For those who had longed for the return of the football card there was a beacon of hope in the shape of Pro Set, yet its bright opening was quickly extinguished – partly by its own hand.

For sticker fans – or, specifically Panini sticker fans - it was the end of an era, encapsulated by the ‘Football 92’ (sic) album.

In fact the 1991-92 collectables season marked such a low point that it merits an unexpurgated retrospective.

It could be argued that having the opportunity to deal in four separate issues (six if you were able to get hold of two dedicated-Scottish versions on top) would be manna from heaven for those of a collecting disposition.

In reality, what was on offer was a dog’s dinner of a Panini sticker album plus three – three! - card collections.  

During the previous season, Panini had at least attempted to innovate (albeit badly) in an effort to counter the competition (new entrant Pro Set and the Sun’s ‘Soccer Sticker Collection’).
‘Football 1991’ begat not one but two different packets of stickers.

The red set, called the 'Foil Collection', was for club shinies, managers and Italia 90 World Cup action, coming out early in the season to lengthen the album’s presence. The 'Players Collection', in yellow, were the tried and tested individual head and shoulder pictures and team photo stickers, arriving in the familiar January Panini window.

Panini’s experiment was a failure – Pro Set was the collectable du jour for 1990-91 – but at least they tried.
By 1991-92 the album was remodelled to ‘English Football 1992’. It would be hard to find an album less Panini-like in composition.

Here is the crime sheet:

  • No Scottish stickers
  • Standardised head and shoulder shots had been replaced by action photos
  • Lower division football reduced to ‘Twelve of the Best from the Second Division’
  • No player biographies 
  • No foils/shinies!
Of course, there were mitigating circumstances.

Panini UK (along with other regions) had seen their budget severely cut – and, indeed, their resources dipped into in an attempt to manage leaks in other areas of owner Robert Maxwell’s empire -  and that was reflected in the resultant ‘English Football 1992’.

It was during this season that Panini lost the most controversial leader in their history – drowned at sea. Recovery in the UK – certainly in football terms – would take a number of years as Merlin became the prime mover. But that is another story.

If English collectors felt short-changed by Panini’s offering, at least those north of the border could feel like a wrong of the previous decade had been partially avenged. For many years, Scottish players were reduced to two players per sticker in Panini albums – a slight felt strongly by many.

Now, however, in ‘Panini Scottish Football 1992’, the Scottish Premier Division clubs were afforded a distinction not provided to their English counterparts that season.

They each had a shiny club badge.

With only 12 teams in the Scottish Premier Division, the album was padded out to the lofty heights of 180 stickers (compared to a still-paltry 276 for the English edition) with a section on Scottish players in England.

If Panini really were keen on cutting costs that year, why not produce the same stickers for players such as Chelsea’s Steve Clarke, who featured in both albums. Especially when the shot chosen for ‘English Football 1992’ is more of a crowd scene than a tribute to the now Reading boss.


But for all Panini’s sticker efforts, 1991-92 will go down in football collecting history as the year of the card.

American company Pro Set had capitalised on the over-egging of sticker albums over previous years with an innovative (for this generation of collectors) card set. Having made a successful entry into the lucrative US trading card market in the late Eighties, owner Ludwell Denny’s expansion plans showed early promise as it shifted around 20 million packets of the ‘Pro Set 1990-91 Collector Cards’ series.

With the help of football agent John Smith, Pro Set became the official card of the Football Association as it made a surprising, and successful, move into the UK.

That success was short-lived down to two factors.

Firstly, two rival card sets – Panini’s ‘Official Players Collection’ and ‘Shooting Stars’ – muddied the waters the following season.

Secondly, if the competition didn’t get them, Pro Set did a good job in bewildering collectors by issuing their 1991-92 edition in three different packets (Official Fixture Cards, followed by Player Cards in two parts). Like Panini’s sticker collection, they also chose to issue separately in Scotland.


Confusion reigned.

Each company pinned their colours to the masts of various football publications as they attempted to shout loudest amongst the cacophony of competing voices: Pro Set collaborated with Shoot! and The Sun, Shooting Stars with the newcomer 90 Minutes, while Panini worked with Match Weekly, Roy of the Rovers and the Daily Record in Scotland.

Similarly-proportioned cards had been hugely popular throughout the Sixties and Seventies as A&BC (subsequently taken over by Topps in the mid-Seventies) produced a series of memorable releases.

But whereas those sets were almost exclusively head and shoulder pictures, the latest collections (particularly Panini and Shooting Stars) were a hotch-potch of portrait and landscape action shots where the player represented would often be vying for attention with one or more opponents and/or or team-mates.

With Pro Set already seemingly an established brand – despite just one previous season – the new kid on the block was Shooting Stars. American-based billionairess Patricia Kluge set up Super League Publishing after her son had shown an interest in British football collectables. While Pro Set gave away 10 cards per pack, Shooting Stars went for 15 – a fair chunk of a 400-set.

With no experience in the industry, Kluge called upon the services of Merlin Publishing to distribute and market the collection. Founded by four former Panini employees/distributors, Merlin had already dipped its toe into the murky football waters, but ‘Team 90’ and their Italia 90 sticker albums had limited success. As a result they had decided to give football a wide berth while the volatile market settled down. To that end they were happy to assist Kluge without putting their name to the product.

As they had advised her, Shooting Stars proved to be a flop – as did every sticker and card collection that year - but it all ended happily ever after.


Kluge ended up taking a sizeable stake in Merlin, as well as introducing them to then Arsenal Vice-Chairman David Dein - who just so happened to be looking for a company to produce a sticker album for the recently-founded Premier League, with which he was also involved.

The rest is history.

While the 1991-92 collectables season had no winners, it did ‘turn out nice again’ for Kluge and her Merlin collaborators as well as, in the long-run, Panini. Even Pro Set had already ensured its place in collectables history for bringing about the revival of football cards in the UK… a legacy that lives on through Match Attax.  

Nick Berry had summed it up perfectly just a few years earlier… Every Loser Wins.

-- Greg Lansdowne

Our grateful thanks go to Greg Lansdowne for his excellent guest post, and a reminder to everyone that his fabulous book, ‘Stuck On You: The Rise & Fall… & Rise Of Panini Stickers’, is on sale now via Amazon UK and all good book shops.

Saturday, 1 November 2014

The Game (ITV, 1991)

I have no experience of playing non-league football myself. I was always let down by a less than sylph-like physique and was perpetually, to use the common parlance, 'carrying too much timber' in my younger days to be of any use. Little did I know it mattered not a jot.

Having watched The Game, I realise I had nothing to worry about. Danny Baker's six-part series for LWT proved the point more than satisfactorily as the spotlight was turned on men young and not so young who didn't allow their physical shortcomings stop them from enjoying a game of amateur football.

Shown late on Friday nights in London and the South East back in 1991, The Game portrayed life in Division Four of the East London Sunday League as if it were Division One of the Football League. Every week, ITV's cameras would focus on one match at Hackney Marshes or a nearby venue while Baker provided the commentary and interviews with players and managers alike.

Given Baker's comedic reputation, it's easy to think that this was his attempt to embarrass and humiliate a bunch of pot-bellied men possessing only the merest hint of footballing ability, but this simply wasn't the case. Every aspect of the programme was played straight down the line without a trace of demeaning condescension. If there was any humour to be gleaned from what was put before us (and there was plenty), it was earned simply by holding a mirror up to Sunday League football itself.

The first episode of the series featured a match between two pub teams, Coborn from Bow, and The Cock Hotel from East Ham. Rooted to the bottom of the entire East London Sunday League, Cock Hotel hadn't won a single game during their two-year existence and had recently appointed a new manager when the programme was made. They chose John Smythe, apparently, because he just happened to be in the pub on the night when the issue was raised.

As for Coborn, third in Division Four, they relied heavily on John Priestaff (right), already the scorer of 25 goals that season. Priestaff, hair slicked back, two rings in his left ear and a gold chain around his neck, told Baker about his proven pre-match preparations:

"Last time I went out and got drunk on a Saturday night, we had a game against Tesco's and I scored six against them and I had a terrible hangover. So every time I have an important game, I go out on a Saturday night and get well slaughtered, and I'm alright in the morning!"

Talk soon gave way to action, and for that Danny Baker was joined on commentary duties by Terry Franklin, an experienced Sunday League player in his own right. Between them, they described the play on Pitch 88 where 22 players, many with stomachs escaping the paltry confines of their team shirts, were doing battle in very windy conditions.

The difference in quality between the two teams was soon apparent, and after a flurry of goals, the final score of Cock Hotel 1 Coborn 8 confirmed the gloomy prospects for the team from East Ham.

Episode 2 of The Game once again provided the stories that added depth and interest to a fairly ordinary football match played by ordinary people. Chris Mostyn of the Young Prince 'B' team was supposedly getting married a day ahead of their match against Thomas Neale. Would the inevitable party the night before detract from Young Prince 'B's performance on the Sunday? Not necessarily, as it turned out. "The more drunk we get, the better we play" said one of their players.

And so it proved to be. Jamie Sykes, their centre forward (see below), claimed two goals in a 3-1 victory the next day. Interviewed ahead of the game, Sykes told Danny Baker: "I got sent off in a game about eight weeks ago... Their left back came across and gave me the old elbow in the mouth and cut me lip, so I reacted quite violently." When asked what he'd done, Sykes replied: "I chased him around the pitch. He was running backwards and I was running forwards and I still couldn't catch him. I got a 6-match ban."

In the following episode, Sykes found himself 'sans boots' just before an important match against Gascoyne O's. "I cleaned 'em up for TV and left 'em on the balcony" he confided, before being told to find some spare ones elsewhere in the dressing room. Such tales were rife in The Game, and it was these and many other vignettes that brought home the simple charms of football at this level, a world away from the big-name superstars, the sponsorship deals and the glamour.

Every game seemed to have something that brought a smile, if not a laugh, to your face. Whether it was the bulldog that got angry with any player taking a throw on in its close proximity, or the ball being kicked right off the field and under the axle of an oncoming P3 bus, the real-world brilliance of non-league football just kept on giving.

Without Danny Baker, the series wouldn't have been kept on such a rolling boil as it was, and his observations while commentating only left you wishing the likes of Clive Tyldesley or Peter Drury could be every bit as amusing.

At one point during a break in play, the cameras aimed their gaze at a woman sitting out on the balcony of her council flat overlooking the pitch. "This was one of the executive boxes they've recently built here at Mabley Green" said Baker. "It is for one and you get your own front room and Council flat with it" he brilliantly suggested. When the camera glanced across at a nearby match, he proffered: "Yes, as ever, ITV have gone and chosen the right game to cover..."

The series ultimately ended with the championship being sown up by Gascoyne O's and the Dick Coppock Cup (strictly for Sunday League Division Four teams only) being won by Young Prince 'B', but in many ways, it wasn't the winning that was important. What really worked about The Game was its focus on the people that played and their love for playing. Even now, some 23 years on, you can't fail to enjoy this series, and it's every bit as relevant today as any game involving Ronaldo or Messi - take my word for it.

-- Chris Oakley

Our sincere thanks to Revelation Films Ltd for permission to reproduce the above images.

Danny Baker's 'The Game' is available to buy from Amazon.co.uk for £3.99.